‘'‘The Automatic Woman,’ essay for Margaret Raspé: Automatik, a monograph of the artist’s work to accompany the exhibition of the same title at Haus Am Waldsee, published by Verlag der Buchhandlung Walther und Franz König.
‘The CAPS is Ours,’ essay for Meriem Bennani: Life on the CAPS, a monograph about Bennani’s trilogy of films published by Bidoun and the University of Chicago Press and distributed by the Renaissance Society. Other contributors include Elvia Wilk and Omar Berrada.
‘Writing in Milk,’ essay for Mother Tongue, a monograph of Camille Henrot’s work from the series of the same title, published by Hatje Cantz. Other contributors include Legacy Russell, Julika Bosch, and Hélène Cixous, amongst others.
‘The Not Knowing,’ essay for How Are Things?, a monograph of Erin O’Keefe’s recent work, published by Seventeen Gallery. Also with contributions by Wayne Koestenbaum and Richard Paul.
‘No body, only bodies,’ catalogue essay for Carolee Schneemann: Body Politics, a retrospective of Schneemann’s work at the Barbican, September 2022 - January 2023. Other contributors include Eileen Myles, Karen DiFranco, Elena Gorfinkel, Jo Applin and others. Published by Yale University Press.
‘Observation, Detachment, Replacement,’ catalogue essay for Prunella Clough: a small thing edgily, published by Floating Opera Press. Designed by Dan Solbach and with a preface by Amy Sillman. Order a copy here.
‘What is radiant,’ catalogue essay for Light and Language at Lismore Castle, a group exhibition that centred the work of late artist Nancy Holt, alongside works by contemporary artists A.K. Burns, Matthew Day Jackson, Dennis McNulty, Charlotte Moth, and Katie Paterson, who have drawn from Holt's legacy. Order a copy here.
I wrote five short texts (about Lisa Brice, Louise Giovanelli, Caragh Thuring, Sophie von Hellermann, and Rose Wylie) for the Hayward group exhibition, Mixing It Up: Painting Today. Order a copy here.
My essay on Ana Mendieta's films (originally published by The Paris Review Daily, 2019), is reprinted in MIT's Whitechapel Document's of Contemporary Art, MAGIC, ed by Jamie Sutcliffe, forthcoming October 2021. List of full contributors + how to buy here.
Essay about Maya Deren, focusing on stills from At Land and The Very Eye of Night, in Running, Falling, Flying, Floating, Crawling, ed by Mark Alice Durant and published by Saint Lucy Books. Link to buy + see full list of contributors here.
‘All the Images Will Disappear,’ catalogue essay for Megan's Rooney's show at Kunsthalle Düsseldorf, Fire on the Mountain. Order a copy of the catalogue here.
‘Sylvia Plath’, collected in The Bodies That Remain, edited by Emmy Beber. Other contributors include Lynne Tillman, Travis Jeppesen, Heather Phillipson, and Philip Hoare, among many others. More information, and how to get a copy (there's a free ebook download!), here.
Two essays about two bodies of work (spanning 2015-2018) by Mary Hurrell, for her special edition artist book EROTIC MECHANICS-mappings. More information, and how to order, here.
'Adaptation', collected in Do Not Make The published by MAP magazine and Essay Catalyst Conversations, with Elizabeth Reeder, Laura Edbrook, and Alice Bain as editors. Other contributors include Lisa Robertson, Joanna Walsh, Kate Briggs, and many others. More information, including how to order a copy, here.